Auto Tune Pro Vs Efx%2b
Antares Auto-Tune EFX+ sits third place in the range of Auto-Tune plugins, just above Auto-Tune Access, and as a more affordable option than Auto-Tune Live or Pro. If you’re ready to make the jump, the plugin will run you just $199 for all of the exciting benefits it offers over the ‘Access’ version. In this review of Auto-Tune EFX+ from Sound on Sound, Editor Paul White concludes that ‘Auto‑Tune EFX+ is very easy to use and capable of some genuinely surprising results, many very obviously effected, that can really kick–start the creative process. Auto-Tune Pro – The most advanced and fully-featured edition of Auto-Tune. Auto-Tune Artist – The power of Auto-Tune optimized for use on live performances, both onstage and in the studio. Auto-Tune EFX+ – Combines the essential features of Auto-Tune with an Auto-EFX multi-effects rack and melodic pattern generator. Discover plug-ins similar to Auto-Tune EFX+ for vocal mixing: https://www.pro-tools-expert.com/production-expert-1/2019/6/20/plug-ins-that-can-simplify-creat. Auto-Tune EFX+ shouldn’t be confused with Auto-Tune Pro, while they are both developed by the same manufacturer, they are a bit different, EFX+ is the combination of the core features of Auto-Tune Pro with the extensive Auto-EFX multi-effects rack, and Auto-Motion pitch-shifting melodic pattern generator.
Auto-Key Compatible Auto-Tune EFX+ is compatible with Antares Auto-Key, which automatically detects the key and scale of the song and transfers this information to any and all instances of the Auto-Tune EFX+ plug-in with a single click. Price and availability Auto-Tune EFX+ is available from May 28, 2019, for $199.
Good Side
- Autotune EFX+ opens a world of creative possibilities, from coming bundled with Multi-Effects Rack which features a plethora of effects modules, and the Melodic Pattern Generator, which lets you create distinct melodic patterns and hooks by automatically pitch-shifting your original vocal or instrumental tracks.
Bad Side
- It can easily be misused, use your common sense!
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Uhm!
Antares Auto-Tune isn’t new to the game, in fact, it was introduced in 1997 by Antares Audio Technologies, which was developed for the correction of off-key inaccuracies, allowing vocal tracks to be perfectly tuned. It does more than that now, it can be used for instrumental music recording, performances, and more.
In this review guide, you would learn…
- The Features of Auto-Tune EFX+
- If it is worth using at all
- Prices
- and more, let’s dive in…
Page Contents
- Auto-Tune EFX+
- Auto-Tune EFX+ Pricing
Auto-Tune EFX+ shouldn’t be confused with Auto-Tune Pro, while they are both developed by the same manufacturer, they are a bit different, EFX+ is the combination of the core features of Auto-Tune Pro with the extensive Auto-EFX multi-effects rack, and Auto-Motion pitch-shifting melodic pattern generator.
I’ll get back to what the multi-effects racks and Auto-Motion pitch-shifting melodic pattern generator does in a moment, let’s eat the snacks one after the order 😉
One of the issues I have with the auto-tuning plugin is the latency, and the fix I use is by recording the vocalist with no auto-tuning plugin right off the bat, and well, that’s a little secret to record a perfect shot, I personally find it easy to start with no auto-tune on my fx channel, but what if you are recording a live band/performances?
This is where ultra-low-latency is of utmost importance, with the Auto-Tune EFX+, you can assure yourself of a professional solution with low latency for live performance or if you so wish! – tracking in the studio.
It also has a fully adjustable Retune Speed and Humanizes parameters that let you fine-tune the desired effect for your tracks, from transparent pitch correction to the full Auto-Tune Effect.
I don’t know if you’ve heard of Auto-Key, it is a software developed by the same manufacturer which automatically find the key of your track before tuning, the bad side is, it is sold separately, and the good side is, EFX+ is compatible with Auto-Key, it can detect the key and scale and sends that information to Auto-Tune EFX+ with a single click. Mind-blowing!
Back to the Multi-Effects Rack, and Auto-Motion Melodic Pattern Generator
Auto Tune Pro Vs Efx 2b 835
Auto-Tune EFX+ Multi-Effects Rack
The Multi-Effects Rack opens a world of creative possibilities, it features six different effects modules, an XY Pad for real-time parameter control, and a library of multi-effects patches designed by industry-leading producers, composers, and sound designers: Mike Dean, Jeff Rona, and Richard Devine.
Whether you are planning to add subtle enhancements or extreme vocal mutation, Mr. Multi-Effects Rack is the dude you should call.
Multi-Effects Rack Features are as follow:
- Pitch and Throat: for real-time pitch and formant shifting
- Duet: for realistic doubling, with adjustable pitch and timing variation
- Vocode: for vintage analog vocoder emulations
- Tube Amp: for analog tube distortion modeling
- Mutate: for ring-modulated audio mutation
- Filter: a high-pass filter for EQ and special effects
Auto-Tune EFX+ Auto-Motion Melodic Pattern Generator
Auto-Motion melodic pattern generator lets you create new melodic patterns and hooks by automatically pitch-shifting your original vocal or instrumental tracks.
Auto-Motion features an extensive library of melodic patterns that intelligently adapt to match the key and tempo of your project.
Auto-Motion also includes three different Trigger Modes, so you can trigger patterns manually, toggle them on and off, or automatically trigger when an incoming pitch is detected.
Watch the video sneakpeak and move on to the next section!
Video SneakPeek
Is Auto-Tune EFX+ Worth Using?
Depends!
I hate it when vocalist depends on autotune to automatically correct their damn pitch inaccuracies, tools are meant to assist us, and not meant to use us. Anyways, these are the group of users I think autotune EFX+ is recommended for:
- You have Auto-Tune Pro and want to benefit from the features of EFX+, e.g, the multi-effects rack and melodic pattern generator.
- You are a pretty good vocalist but have an issue taking vocal due to some minor pitch issue, you can use auto-tune to circumvent this.
- For Vocal Training, Auto-tuning can help you learn to sing better, auto-tune is created to correct pitch inaccuracy right? why not use it as an aid to singing better.
- For Live Performances
- To create an effect, think Hip-hop, or say T-Pain kinda vibes, you get the idea, all in all, you need to know what you are doing.
Auto-tune EFX+ is not recommended for:
- Users that are satisfied with the version of the AutoTune Pro, or don’t want to benefit from the features of the EFX+
- Those that doesn’t know how to sing in tune, seriously, it won’t make you any better, oh, well, you still have an option to create an effect with it, think T-Pain, at this point, it is aggressively controlling the pitches
- If you can’t afford it, here are some free ones: Free Autotune Plugin
- If you can sing in tune!
Auto-Tune EFX+ Pricing
It is reasonably priced at $199.00 at the time of writing this review, compared to Auto-Tune Pro that is priced at $399.00, of course, the features are different, if you are already a user of Auto-Tune Pro, I’ll recommend you stick to that as that would cover plentiful of features.
If you are just getting started, you can opt for EFX+ as it provides the core features of Autotune Pro, with some nice and newly added features that would cater you use cases, enjoy mate!
System Requirements:
Mac
AAX Native (64-bit only)
- Pro Tools 11.3.1 or later.
- Mac OS 10.10.5 to 10.14 as required by your version of Pro Tools.
VST3 (64-bit only)
- A compatible VST host program that supports VST3 format.
- Mac OS 10.10.5 to 10.14 as required by your host.
VST2 (64-bit only)
- A compatible VST host program that supports VST2 format.
- Mac OS 10.10.5 to 10.14 as required by your host.
Audio Units (64-bit only)
- A compatible host program that supports the AU format.
- Mac OS 10.10.5 to 10.14 as required by your host.
Windows
AAX Native (64-bit only)
- Pro Tools 11.3.1 or later.
- Windows 8.1 to Windows 10 as required by your version of Pro Tools.
VST3 (64-bit only)
- A compatible host program that supports the VST3 format.
- Windows 8.1 to Windows 10 as required by your host.
VST2 (64-bit only)
- A compatible host program that supports the VST3 format.
- Windows 8.1 to Windows 10 as required by your host.
Useful Related posts:
Antares' EFX version of Auto‑Tune was designed specifically to create less-than-natural vocal effects, and this 'plus' version adds yet more creative firepower, to take it far beyond quantised pitch yodelling. The common Mac and Windows plug-in formats are supported, and two machines can be authorised at the same time.
The core features of Auto‑Tune EFX are augmented by a new Multi–Effects Rack and a new Auto-Motion pitch-shifting melodic pattern generator, the latter acting rather like an arpeggiator. As the plug-in relies on pitch tracking, it requires a monophonic source for the best results. Formant correction works the same as with other versions of Auto‑Tune, and there's a low–latency mode for real-time performance that sacrifices only a little quality. A large selection of presets shows what this thing is capable of.
The expected features include the ability to select a voice type, set a user scale (by key and type or via the keyboard) and to adjust the Retune Speed and Humanize parameters. Using these with delicacy, you can produce natural-sounding pitch correction for routine vocal tightening. The keyboard at the bottom displays the current detected pitch in blue, and notes can be added or removed from the scale with a click. The plug-in is also compatible with the optional Antares Auto‑Key software that can work out the key for you.
The Multi–Effects Rack modules include: Pitch and Throat, which uses the formant shifting alongside pitch shifting; Duet, for natural-sounding double–tracking; Vocode, which aims to deliver classic vocoder effects; Tube Amp, for adding analogue warmth; Mutate, for ring modulation; and a high-pass EQ filter.
Auto-Motion features a library of preset melodic patterns that follow the key, and this can be set to an adjustable speed or be sync'ed to tempo with a choice of subdivisions. The pattern browser shows the general shape of each pattern in a mini piano-roll view. There are three different trigger modes and you can use DAW automation to bring the effect in and out. The modes are Momentary, Toggle or Auto, which activates when an incoming pitch is recognised. There's also a choice of Hard, Soft or Legato pitch correction, the latter adding smoother note transitions. In Latch mode, the Play Pattern button acts as an on/off switch.
Each Multi-Effects Rack effect comes with its own library of presets, and each patch can combine up to four effects modules. Each module has two adjustable parameters, and the clever part is that these can be controlled by a simple X/Y pad. You just pick a Multi–Effects Rack template with the combination of effects you want (you can't populate the effects slots yourself) and go from there. The Vocode module (which always tracks the input pitch; MIDI control isn't supported) offers emulations of 10 different vintage vocoders, for which X is the wet/dry mix and Y the pitch shift applied to the synthesized output. Pitch and Throat combines dynamic pitch shifting and throat modelling, the X parameter corresponding to throat length and Y to pitch shift. Duet offers adjustable pitch and time variation, and the Mutate ring modulator sees X controlling the carrier frequency and Y the wet/dry mix.
It soon becomes clear that you can perform some serious vocal manipulation with this plug-in.
Auto Tune Pro Vs Efx
Operation is straightforward, with the large knobs looking after Retune Speed and Humanize. The faster the retune speed and the lower the humanise setting, the more hard-quantised the vocal pitch sounds. The four effects are located in the lower centre section of the screen, with the X/Y pad to the right and the patch browser to the left. Switch to Auto-Motion view and the effects section of the GUI is replaced by the automatic pattern generator section.
Autotune Pro Vs Efx
With just a little experimentation, it soon becomes clear that you can do some serious vocal manipulation with this plug-in. (That said, its more subtle pitch-correction and fake double–tracking talents shouldn't be ignored.) Early examples of 'abused Auto‑Tune' were often mistaken for vocoding, so it's nice to see things come full circle with the automatic vocoder being added. The pitch/formant manipulation can be used very subtly to change the character of a voice, or you can push the boundaries further and turn your lead vocalist into Gollum's Martian cousin. Ring modulation isn't conventionally musical, but it is useful as a spot effect, or for creating more robotic, dissonant sounds. The pattern generator can also be a lot of fun — though is perhaps best used sparingly. You can't create your own patterns, but there's a surprisingly long list of presets that covers a lot of ground.
Auto‑Tune EFX+ is very easy to use and capable of some genuinely surprising results, many very obviously effected, that can really kick–start the creative process. And don't think you can only use it on vocals — most monophonic sources seem to generate something useful, so as always experimentation is the key.
information
Auto Tune Pro Vs Auto Tune Efx
$199.